Sue and Jim Waddington of Hamilton love the beauty of the La Cloche
mountains. Each winter they study the paintings of the Group of Seven artists
and by comparing the paintings to maps they try to determine the places the
paintings were made.
They spend their vacations canoeing in the area looking for the locations
that were used for the paintings. They scrabble around the rocks looking for the
place that the painter sat while painting. When they find the site they take a
picture of the scene.
Some of the views are quite different now than they were when the area was visited by A.Y. Jackson, Franklin Carmichael, A.J. Casson, Arthur Lismer and Lawren Harris. The trees have grown back after logging and fires. One can sometimes find the right place but there are too many trees to take a good picture. Of course the artist did not want to reproduce nature but interpret it so the views are sometimes rather different.
A. J. Casson & La Cloche Franklin Carmichael's Rock La Cloche Artists
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View ' Frood Lake' View 'Bright Land' View 'Nellie Lake'
View 'Grace Lake,Algoma' View 'Sunlit Tapestry'
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Courtesy of;
Debicki, R.L.
1982: Geology and Scenery, Killarney Provincial Park Area;
Ontario Geological Survey Guidebook No. 6, 152 p.
Artists from many fields have long recognized the wild beauty of the country in the Killarney area. Perhaps no other group is as well known for its activities in the region as the Group of Seven painters. Lauren Harris, who was the first member of the group to visit the area, made his initial visit in 1918, two years before the group was officially formed. Arthur Lismer and A.Y. Jackson frequented the area after 1920. Franklin Carmichael was so impressed by the region that he built a cottage at cranberry Bay in 1934. J.E.H. MacDonald and F.H. Varley also painted in the region. Visits by A.J. Casson and other members of the Group of Seven to the area continued through the 1940s and into the 1950s.
The most readily identifiable works of the region are Arthur Lismer's "Happy Isle" painted at McGregor Bay, A.J. Casson's "White Pine", Franklin Carmichael's "October Haze", and A.Y. Jackson's Nellie Lake. According to Jackson's longtime sketching companion Joachim Gauthier, however, A.Y. Jackson's "Nellie Lake" is not that lake at all, but rather of Grace Lake. Regardless of the locality of the lake depicted by Jackson, it is unlikely that the ultimate result of his visits to the Killarney area, the creation of Killarney Provincial Park, is widely recognized.
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